Sarah Clayville
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When You Really Love A Story

5/27/2019

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If push came to shove, I could probably create a timeline of my life punctuated with stories. I’ve always fallen into the worlds of books and movies with ease. Whether they were the epic fantasies of C.S. Lewis or the quiet countryside of L.M. Montgomery’s Anne, I engaged with stories as avidly as a marine biologist might plunge into the deep and come nose to nose with a shark.

But my favorite of them all is, hands down, the Wizarding World.
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In honor of my favorite books and films, I created a master Harry Potter marathon that not only covers the films but throws in a few documentaries, one super tacky but loveable unauthorized biography, and my favorite YouTube guilty pleasure. (SBC stands for the Super Carlin Brothers who are as close to wizarding gods as one can come without being Rowling herself. I only selected three videos for each film but there are many more.)

This is not your typical weekend marathon, and there are spoilers in the videos and documentaries, so this isn’t a menu for novices. But if you’ve got a week and want to delve deeply into the world, give it a spin. I opted not to include a few cult classics like the Potter Puppet Pals and A Very Potter Musical because hey, work and families and eating and things, but the true devotee might wrap it up with a quick trip to New York City and The Cursed Child.
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Enjoy!


Picture
Magic Beyond Words – All the cheese in this unauthorized J.K. Rowling story with Poppy Montgomery as JK.

Harry Potter and the Sorcerer’s Stone
(SCB) Harry IS the Philosopher’s Stone, How Dumbledore Created the Deluminator, How Snape Saved Baby Harry

Harry Potter and the Chamber of Secrets
(SCB) Was Salazar Slytherin EVIL?, Why Dumbledore Actually Hired Lockhart, Why Ron’s So Bad at Magic

Harry Potter and the Prisoner of Azkaban
(SCB) Why Azkaban Uses Dementors, Hagrid’s Patronus, Why’s It Called the Knight Bus?

Harry Potter and the Goblet of Fire
(SCB) Why Voldemort Looks like a Snake, The Origin of Moody’s Eye, Why Are They Called Death Eaters

Harry Potter and the Order of the Phoenix
(SCB) Luna Lovegood is a Maledictus, Why Cornelius Fudge is the Worst, How to Fix Quidditch

Harry Potter and the Half-Blood Prince
(SCB) Could a Dementor Destroy a Horcrux?, Slughorn’s Darkest Secret, The Truth About Felix Felicis

*A Year in the Life (Documentary) – J.K. Rowling discusses wrapping up writing the last book and reveals bits about her life and process

Harry Potter and the Deathly Hallows, Part I
(SCB) The True Path of the Elder Wand, Voldemort’s Horcruxes Ranked, How Harry Ruined the Dursleys’ Lives

Harry Potter and the Deathly Hallows, Part II
(SCB) How Dumbledore REALLY Planned Harry’s Death, Neville is Master of the Elder Wand, Why Harry’s Scar is a Lightning Bolt

Fantastic Beasts and Where to Find Them
(SCB) Kowalski is a Descendant of Helga Hufflepuff, Why Newt is SO Important, Top 10 Predictions For Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald
(SCB) How Dumbledore Will Destroy the Blood Pact, Who Did Leta Say “I Love You” To?, Dumbledore’s Dark Twin

*A History of Magic (Documentary) – Based on the British exhibit, head to YouTube to find all of the inspiration for the Wizarding World.
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Critique Partners, Beta Readers, and Editors…Oh My!

2/23/2019

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While writers don’t need to live in isolation, the act of writing is typically solo. One person sits at one desk with one laptop and, well, writes. Particularly if you’re working on a novel or longer piece, this could take months or years to complete. So, it’s natural to want to sing it from the rooftops when you finish and share your baby with the world.

To be clear, writing should be shared, especially to help refine it for publication. But with that sharing, I offer a few friendly cautions.
 
First, let’s understand the terminology.
 
Beta Readers – Beta readers read the entire novel for general notes. Think big picture. A good beta reader can find plot holes or flaws that the author may have missed.
 
Critique Partners – Critique partners swap work and comment on anything from story fixes to word choice and line edits. You shouldn’t pay for a critique partner, and it’s a very reciprocal relationship.
 
Editors – Editors are (typically) paid and provide everything and anything from the above list for a set price. Never go into an open-ended contract with an editor. Settle on a fee ahead of time so you can budget and know exactly what you’re getting for that fee.
 
Here’s the thing. With all three of the above, it is important to vet anyone you trust with your work to avoid wasted time, unhelpful notes, and potential plagiarism. When approaching these relationships, consider the following.
 
Know who the person is. If you trust someone with your freshly crafted novel, a real name and a little background is a must. You don’t need to swap social security numbers, but sending a manuscript to an anonymous screenname is like dating a nameless, faceless person. You wouldn’t do it, I’m guessing.

Understand their qualifications. A middle grade author may or may not be the best person to beta read an erotica novel. Different genres rely on different voices and techniques. On a technical side, look for someone who compliments your weaknesses. For example, my writing is strong on detail but suffers with action and pacing at times. I was lucky enough to find a critique partner who could help me with that and vice versa.  
 
Consider references. With editors, this is a must. If someone wants to charge you for their work, you have every right to talk to their (hopefully) satisfied customers. The best route is to ask for a list and randomly pick a few names to contact. It is also not out of court to see the editor’s work in action on a manuscript. That way you won’t be upset if you expected grammatical fixes but only receive plot notes. References provide a realistic idea of these things.
 
Be picky. There are many incredible writers offering giveaways of services. And swapping work is a wonderful way to connect with other authors, but just because someone is willing to read your work doesn’t mean that they’re the right person. Unfortunately, I’ve seen people offer inaccurate query notes or genre-inappropriate suggestions. You’ll find the perfect fit. Take your time and don’t jump at every opportunity.
 
I don’t want this to come across as a terribly cynical post. There are many kind souls out there who offer reading and editing for free, and Twitter and other online hubs make it easier than ever for writers to find help on all levels. But let’s face it, our manuscripts are our lifeblood. It is wise to be judicious when sharing it.
 
Happy writing!

 
 

 
 
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Stop Self-Doubt In Its Tracks

2/5/2019

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There are three fairly certain truths about writers. We drink lots of coffee. We read whenever we’re not writing. And we are masters of self-doubt.

So, the next time you start to tell yourself you or your writing are not good enough, feel free to steal one of these guys to substitute. And no, I won’t barrage you with stories of famous writer X who failed 87 times before success. Hopefully these truths are a little more realistic but soothing nonetheless.

1)    Good journeys are supposed to be hard. If things came too easily, let’s be honest, they wouldn’t feel right or rewarding. Unless you’ve got a magic genie in your pocket, embrace the struggle. Just like battle scars, the prove your hard work.

2)    Once, you wrote that awesome sentence. Of course, you’ve written many awesome sentences but consider taking a favorite and posting it somewhere. Write it on a slip of paper and keep it next to your computer or in your wallet. Remind yourself just how incredible your words can be.

3)    You can do other things, too. Writers are dedicated, but sometimes it’s good to remind ourselves that we can also juggle, or roast a mean chicken, or play a mean hand of poker. If you feel like you’re slacking with word count, think about those other skills.

4)    Write for YOU. When the what ifs and the could be’s beat you up, remind yourself that at the end of the day you should be writing because you love it and that alone is a reward.

5)    People are rooting for you. Go find one. A fan. Text a friend. Put out an APB on Twitter that you need a kind word. (And if you’re not tuned into the #WritingCommunity yet, get connected.) Find someone who will push that negative self-talk right out of your head.

6)    That kid. That kid over there NEEDS your work. Today, if you write for children, in ten years, if you write for teens, or in twenty years, if you write for adults. Your unique story is needed in this world, and nothing you tell yourself can erase that simple fact.

Being creative means that you can also come up with some pretty harsh words for yourself. Try these tips and if all else fails, do five jumping jacks. Whatever it is, give your body and your brain a reminder that you are a writer and that’s pretty amazing.
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Writer’s Block, The Villain of Any Author’s Story

2/3/2019

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​I firmly believe a good metaphor can change your life. And for me, a good metaphor changed how I approached writer’s block.

Years ago, at a writing conference in a quaint Pennsylvania hotel, a famous YA author suggested that writers are pitchers of water. We eternally pour out creativity through our stories, and when our pitchers are empty that’s when the dreaded Writer’s Block steps in. (I am intentionally capitalizing here because I don’t just see writer’s block as a thing. I see it as THE villain in any writer’s life, worse than self-doubt or Netflix.)

The author proposed that when our pitchers run empty, we must stop writing and refill that pitcher. We vanquish Writer’s Block by actively seeking inspiration or else the villain of the story wins and our pages stay blank. Below is not an exhaustive list but instead a personal one that I keep handy to help me.

Go to a gallery – Visual art is a quick inspiration snack for me. Galleries are the best, but even if I only have five minutes and pull something up on my phone, it’s an immediate infusion of color and texture and narrative. Online, I highly recommend skimming winners from National Geographic photography contests. They are breathtaking.

Make emotional playlists – Consider not just a writing playlist but instead find those songs that put you in the mindsets you need. Is a character ready to break? Make a chaos mix. Need the sexiest scene ever? Make a love groove playlist. Army going to war and you need to rage? Perhaps a Game of Thrones mix, but you get the idea. Have them ready for an immersive infusion of inspiration.

People watch – I’d love to say I’m an outdoor gal, but I’m not. However if I could get away with it, I would don full bird-watching gear and head to Target with binoculars. Don’t stalk. Don’t be creepy. Just look at the expressions on peoples’ faces. A wrist overloaded with bracelets. A man who rubs the spot a wedding ring should be. There are a thousand stories waiting for you anywhere you go.

Read, of course – Reading is a mixed bag when Writers Block droops its ugly chin on your shoulder. Sometimes a few beautiful words are enough to ignite the spark to write again. Other times, reading can be frustrating or only highlight your current situation so treat this one delicately.

Indulge in television and films – Whether it’s a familiar character you could cosplay in your sleep or a new recommendation, get lost in someone else’s world. Play the what if game. What if that character hadn’t turned left but instead turned right? Before you know it, you might just be hatching your own entire world.

Discover the news – Another cautionary one to try. Normally the news offers a million stories happening at once. Unfortunately, at the moment the political situation is strangling everyone. But perhaps if you can filter out all of the national conflict and look at the local news, that barn you drove by your entire life just burned down or a man wins the lottery at ninety. Regardless, life does imitate art and art is always allowed to imitate the kaleidoscope of life surrounding us.

Seek human contact – Listen. Call a friend and let them talk with nothing to contribute. Call Aunt Betty who lives in a yurt along the Susquehanna River and ask her to tell you about her day. We live in a technologically advanced world where we are both connected to everyone and tied to no one simultaneously. Or if you are limited to technology, start up a real conversation with a new Twitter friend. The devil’s in the details, and unless we listen closely, we often miss those brilliant kernels that could be our next novel.

Write it all down – Carry a notebook with you and have a book of inspiration ready. If you’re anything like me those pesky ideas happen when I’m in the shower, at the dentist, cooking dinner, teaching my classes, hoovering the living room, you get the picture. Few of us have the luxury of stopping to write whenever we want, but that doesn’t mean we should ever let a great idea go. Write it all down! (Dictating notes in your phone counts, too.)
 
Writer’s Block may be the villain of our story, but as writers we’ll win. I guarantee it. Inspiration will hold us up as we put pen back to paper – or fingers to keyboard, or what the heck, quill to scroll. Good luck with your writing journey and thank you for taking a few moments to share mine.
 
 


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Writing Resolutions - 2019 Edition

1/12/2019

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Every year I create two sets of resolutions. The first is a general life list posted prominently on the refrigerator. The second, my writing resolutions, get tucked inside my desk drawer and don’t often see the light of day. The refrigerator list has changed over the years and boasts columns and bullet points, action plans and recipes, inspirational pictures and doodles. Meanwhile, the writing resolutions need none of this because they are uncomplicated, and I’ve committed them to memory. But I still write them down fresh each and every year as a reminder of how to get the job done.

Write every morning.

Read twice as much as I write.

Starve the rejections; feed the victories.

While none of these are revelations, the three of them together have helped me persevere both professionally and personally. And their brevity contributes to the bigger picture that writing is a profession and passion about action.

Write every morning – I’ve made several blog posts about writing rituals, but for me I am freshest in the morning and most optimistic. In those first few minutes, if I can avoid the news and other potential pitfalls by getting up before the rest of my household has roused, the day is nothing but a blank slate. I feel rather invincible, not to mention what happens once coffee is added.

Read twice as much as I write. – Stephen King said it best. “If you don’t have time to read, you don’t have time to write.” In theory, you are writing because you love the written word, and it would only make sense that you want to carry all of them in your arsenal. And not just the meanings and spellings of words either. Every time you read, you’re actually studying your craft and observing how other authors assemble those words into radical new patters. So read, read, read.

Starve the rejections; feed the victories. – This one is my favorite and simultaneously the hardest to adhere to throughout the year. Whether it’s by email, by phone, by post, or by owl, I give the rejections no more than a moment to invade my brain. Even the big ones. I might have slaved over a project for months only to have it shot down in the eleventh hour. That’s life. And as a writer, rejections are frequent. The worst are the days where it feels like editors or agents collaborated and all decided to say no at precisely the same time. You need to starve the heck out of those days. Don’t entertain negative thoughts. Instead, feed the wins. Maybe it’s a publication you’ve been waiting for or simply a well done from your critique partner on a particularly sticky scene. Throw a handful of confetti in the air. Dance your best Beyoncé when no one’s looking. Or go to the local bakery and buy an obnoxiously expensive piece of cake. But make those victories count because one is fantastic. Two, even better. And if you press your energy towards the light, rejections sting less than a band-aid being pulled off. They will no longer have the power from stopping you from making good on your first resolution…to keep writing.
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Happy New Year!
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The Need for Speed (When Lightning Submissions Aren’t a Good Idea)

9/18/2018

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     Some days, I love the internet. Specifically, when I need a cupcake idea for my daughter’s third grade class, Pinterest is my savior. Or when political news grinds my nerves to nubs, I require two otters holding paws on Facebook. In these instances, the internet is my friend. When it comes to writing, though, we are typically mortal enemies.
         And I’m not even referring to all the distractions. (That’s an entirely different post.) Instead, consider the speed with which authors can race from idea to submission to publication. There have been mornings where I drafted a poem, submitted it over lunch, and even received word that it was accepted all in a twenty-four-hour period. Awesome, right?
          Yes…and no.
         That lightning process conceals a few fatal flaws. Nowhere in a sprint to publication is there space to reflect, edit, walk away, and return fresh. In a world where submission buzzes at our fingertips, are we skipping essential steps to better our writing?
      I am not eschewing the process but instead offering a brief checklist of considerations to make a squirrelly writer take pause before hitting send or submit. Here I offer a few warnings for falling for the sprint instead of pursuing the marathon.


     1. Editing matters. And it rarely happens well within twenty-four hours. The piece is so fresh in our minds that even glaring errors are camouflaged by our own mental copy.
     2. Editing in a vacuum is dangerous. Rarely do critique partners exist who can turn around a piece in hours, and without an outside eye, the writing solely lives within our tastes and judgment. It’s not a bad place to be, but it certainly shouldn’t be the only place.
     3. Did you find the right home? Unfortunately, fewer writers take the time to read online journals and get a taste of what they’re searching for. Instead many are lured by the siren’s call of fast and free submission windows, often jumping right out of them and submitting to the wrong places.
     4. Submitter’s remorse is real. I have submitted pieces that found a home when they weren’t nearly ready, but perhaps the journal was new or the editor saw a glimpse of brilliance and kindly accepted. Looking back years or even months later, I see changes I’d like to make because those few pieces don’t represent my best voice, and as we all know, the internet preserves things forever.
     5. Avoid looking unprofessional. As an editor for a literary magazine, like a shark smelling blood I can usually tell if a submission was dashed off without proper care. Perhaps they spell the journal’s name incorrectly, or my name, or yes – their own. We might receive a document that still shows original edits or someone else’s comments throughout. Even if the piece is wonderful, I rarely stick with it when so many glaring errors turn me towards more professional submissions.
     6. Self-publishing can rob you of collaboration. Many authors, frustrated at rejection, post their own works on a blog or website. The problem with this is that they lose the opportunity to enjoy an editor’s help to polish the piece, and they may not consider why it was rejected in the first place. Persistence is a writer’s lifeblood, but not with blinders on. Every rejection or critique should move a writer to a better place. Not just a different platform.

     Instant gratification exists, and it’s intoxicating. But some wins are hollow ones, and not all pieces are ready for publication. Good writing takes time, and good submissions represent that effort. Give your writing the space it needs to thrive, and I guarantee you’ll love the results. In the meantime, head to Pinterest for a yummy lunch idea.
Happy writing!
            
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When Not to Write

8/9/2018

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I’ve read, and even written, many posts extolling the virtues of writing through any hardship. A heartbreak, a loss, a tsunami, a zombie apocalypse. The act can be a healing one and often helps us sort out our feelings or minimally allow our minds to escape whatever chaos has firmly lodged itself in our lives. But I would also argue that there is a space and time when for some, we need permission not to write.

From about the age of ten on, I started a firm routine of writing in the morning. Every morning without fail. Back then it was loose-leaf pages in a worn neon Trapper Keeper that survived three years of middle school far better than I did. And during my wild college days I still managed to jot down things as the sun rose even if I’d only slept a few hours the night before. My morning exercises have found their homes on the back of Target receipts, across paper towels, and everywhere else all because once I’d read that Hemingway followed this routine, and he turned out to be a fairly decent author (understatement intended). His daily practice also seemed more palatable than Vonnegut’s push-ups to spur creativity.

Of course, in this sort of mandatory writing situation, not everything I write during those early sessions is good. Although even out of bad pages, I can often resurrect a few good sentences. Once, seven pages of junky writing yielded a title that I used years later and somehow, that seemed like a huge win.

However, there were a few moments in my life that tossed up some rather large blockades and writing felt like a miserable chore. It was painful, and after some Herculean trying I learned that as an author, there are absolutely occasions that make it ok to put the pen down.
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  1. Emotional distress – Sometimes an event or a feeling is so raw it’s impossible to write about it with any reason. And if you’re trapped inside of the fray, you can’t possibly see the forest for the trees. Or rather you’d like to burn the forest down. Become a lumberjack and head to Scandinavia where it’s too cold to hurt, or write. In those cases, writing can keep you trapped in feelings that aren’t good for you, so pen down.
 
  1. Physical exhaustion – Sleep matters. New parents and high school students may disagree, but medically our bodies don’t do well with less than seven hours of sleep. And if you don’t believe me, look, it’s science HERE! Just because your fingers are tapping doesn’t mean you’re doing what’s best for your body so perhaps close the laptop, steal a catnap, and do double duty during your next writing sprint. Besides, you could pull a Stephenie Meyer and dream up your next great piece. (As long as it’s not Twilight. Anything but that.)
 
  1. An empty writing well – One of my favorite authors, Laurie Halse Anderson, gave a brilliant analogy that’s been used often but was new to me as I listened to her speaking at a local SCBWI event. “Creativity is like a pitcher, and if your pitcher is empty, you can’t give…or write.” Is your daily routine squeaking out the chance to read a good book or watch a favorite film? Has it been too long since you’ve stood in front of a real live painting or listened to an orchestra at full blast? I’ve read more often than not to write through writer’s block, but I also think that actively going out to seek inspiration is an excellent way to recharge. Consider skipping a writing session and instead walk to a local gallery or put on your headphones. Curl up to listen to beautiful music or a podcast. Who knows, you might even fall asleep (see tip #2) and wake up both physically and mentally recharged.
 
Ultimately every writer has different challenges and strengths. Unique routines and mechanisms to carry them from Once Upon a Time all the way to The End in their manuscripts. While this blog might make sense to some, it could be a totally wrong fit for others. But at core I think most writers tend to be the toughest self-critics. We rake ourselves over the coals when we’re not writing enough, not publishing enough, not doing those writerly things that make us authors. So, if nothing else, I hope the takeaway is to be kind to yourself. And if circumstances are so that you find you’ve got to put the pen down, that’s ok.
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The Space Between Drafts

5/28/2018

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It’s been a while. A long while, actually, since I’ve blogged. This hiatus came from a sharp bit of wisdom that really resonated with me in Neil Gaiman’s commencement speech to the University of the Arts several years ago. He mentioned considering a goal to be a mountain and asking yourself with each new task if it was carrying you towards or away from the mountain. As I worked through the first draft of a novel, my blog entries felt like they were diversions dragging me from the task at hand. So, I filed them away and told myself only after I’d reached my own personal mountain, that first draft, would I return.|

Now that a full one hundred and forty pages sit in front of me, each chapter carefully printed and labeled, it feels appropriate to blog in the face of the daunting editing process. This is my first round of edits for this novel, a second round will absolutely follow, and then I intend to submit to agents after a final polish. This all sounds so easy, but the reality is the process is exhausting.

Editing reminds me of visiting the grocery shopping with an economical and underwhelming list. The further you wade into the store, the more you realize you’ve forgotten to include everything your kitchen really needs and what started as milk, bread, and eggs now grows to dozens of details and new plot ideas that should have been included in the first run through. And with each change, the world shifts. I’m writing a children’s fantasy where there is a world being constructed, but even in a good old-fashioned literary novel, new details are earthquakes that cause seismic shifts in the fictional reality.

In order to keep myself vaguely sane and always moving towards my mountain, I’ve devised editing tips and tricks that might be of help as you tackle your own revisions whether they be for a short story, a novel, or anything in between.

  1. Keep track of your edits. Use track changes or list them, but don’t lose anything that you might find useful moving forward. You’ll never know what the draft will look like in a week, month, or year, and you might suddenly, desperately need a word you nixed on day one.
 
  1. Question the usefulness of each character. I just dropped a girl off of the editing precipice because she literally brought nothing to the landscape of the novel. Especially in a shorter piece, each character ought to mean something, even if it’s comic relief.

  2. Watch transitions. Do you cleverly move from point A to B? Are there walks and car rides that add nothing other than transportation? Transitions are a lovely place to pare things down.

  3. Catch repetition. We’ve all got words that we defer to and often overstuff our manuscript with, which is why the find feature in Word is a revelation. Another clever realization is often those words don’t need to be replaced. They can be deleted altogether.

  4. Accept the unthinkable. Sometimes a major change or shuffle is needed. Those revisions can require days or months of rethinking and rewriting but consider this. You’ve already devoted an inordinate amount of time to your work. Don’t sell it short in the editing process.

  5. Dialogue is your friend. More often than not if I’m telling instead of showing, it’s due to a lack of dialogue. And because writing dialogue is so tricky, it’s easy to skip over with a summary. But dialogue is also a wonderful way to show who your character really is and differentiate between characters that in summary appear too similar.

  6. Know it will all change and you’ve done your best. I hope your edits turn out beautifully, but the next editor or publisher who looks at them may have a thousand changes in mind, so acknowledge when it’s time to type The End and carry forward. Until something is in print, is it ever really done?
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Good luck writing! 
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Let's Get It Started

8/13/2017

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As I bask in the glow of a completed manuscript currently battling it out with others in the #PitchWars Twitter contest, I find it so easy to lounge. I wrote a book! Time to take a break…or not. At least for me, I find that if I don’t jump feet first into the next project, a week of leisure can become a month, even a year between major writings.
But jumping in isn’t quite as easy as it sounds. Where do I start? How do I select an idea out of the dozens hopping up and down like strays at the pound looking for a home? Should I continue with a similar genre, or should I head off into waters unknown? And even after all of those questions, the big one looms.
How do I start?
Starting a novel is terrifying. It’s not like giving over a few days to a poem, essay, or story, knowing that it’s easy to pull the plug. If a shorter piece fails, you’ve only invested a few days. Mere hours on the writing spectrum. But a novel, it’s a commitment. It’s taking an idea and locking in as if you take the hand of your first date and say What the heck, let’s go get married in that chapel around the corner. It’s a spiritual and emotional mortgage, cementing you to an idea. Once you’ve made that jump, though, it’s essential to get going because again, waiting too long can take the shine right off of your idea. So, I’ve assembled a few tips that have helped me move forward in the past, and one of these tips will hopefully help me put pen to paper tonight as I sign off on my new endeavor.
 
  1. READ – This may sound counterintuitive, but don’t be afraid to carve out time to read in the genre that you’re interested in and feel how the author approaches his or her narrative. Copying isn’t a good idea, but emulating is. Does their opening inspire you?

  2. Don’t Start On Day One of Your Story – First pages are so intimidating. And often as writers we don’t see the beginning of the story right away but rather we’re seduced by an inciting moment or a conflict. It’s ok to start there and feel how the tension plays out on the page. 

  3. Outline – Even if you’re not a planner, it’s ok to throw down events and relationships or try the bullet journal method to craft a skeleton. See some outlining ideas HERE.

  4. Talk It Out – Dialogue is a wonderful place to open a new novel. Think about your protagonist. What could he or she say that perfectly characterizes who they are? 

  5. Location Location Location – Is your setting a character of its own? Forget about the primary story for a moment and build a rich landscape with all the texture you can muster. You might be shocked at how easily the characters come to life with a skillfully drawn backdrop.

  6. Put the Pen Down – Meditate. Run around the block. Take a nap. But think about what is attracting you to the story you want to tell. If it’s the right one, it will put out the siren’s call and goad you to start. But if the story recedes to the caverns of your mind, perhaps go back to those other ideas jockeying for your attention. 
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  7. Write Without Judgment – The first pages won’t be perfect. But if you love what you’re doing they will draw you back day after day, week after week, and month after month. And who knows, next year around this time you’ll probably be hunting for critique partners, editing with abandon, and readying your now manuscript for the world at large.
 
Whatever you do, keep writing. And enjoy every delicious, painful minute of it.
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Writing Routines Matter

7/25/2017

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Summers for teachers are bliss. While I don’t want to support the ridiculous idea that we don’t review lesson plans and strategize for the following year, June, July, and August do lend themselves to pursuing hobbies, slowing down to cook meals at home and play with the kids more, and write with abandon. Bliss, indeed.
Except when no clock is ticking, writing often slips to the wayside. During the school year I write on a very regimented schedule…and it works. I hit my word count every day, whether it’s brilliant or bollocks. But when I’ve given unlimited time to write, without the urgency I often wait and write when I’m too tired or distracted. This reality reinforces how important, at least for me, it is to maintain a writing schedule and treat it less like a hobby and more like a profession.
In light of this, I thought I’d share a few different writing routines that have worked for me throughout the years.
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  1. Write in the morning. Set your alarm an hour early and make sure you’re writing without distraction. A night of good sleep, however, is the only way to make this work. Going to bed at 2 a.m. and writing at 5 is the surest formula for disaster, and possibly some hilarious writing.
 
  1. Turn a lunch break into a writing break. In my one and only office job, I sacrificed lunch in the breakroom for a picnic at my desk where I could shut my door and tap away at the keyboard. After more tedious work, the creative break was just as nourishing as my tuna sandwich.
 
  1. Bullet plot points and fill them in on the weekends. This was particularly helpful to me during a hectic professional and personal time when I didn’t have an hour to spare every day, but on the weekends I could devote a few late nights without sacrificing the ideas bubbling in my head during the week.
 
  1. Schedule writing sprints with online friends just like you’d book a manicure or a doctor’s appointment. Determine a frequency but put it on your calendar, and make sure others can hold you accountable. Most do this based on a time limit, but I’ve also had luck sprinting with a word count in mind.
 
  1. Set the mood with a playlist. This will help you ignore the clock and simply write for the duration of five songs, or fifteen. And if you know what you’ll be writing about, selecting music that amplifies the tone you’re striving for may just push your writing to the next level.
 
  1. When all else fails, scrap it. And by scrap it I mean write on scraps whenever you feel the inspiration. I once wrote an entire story on the back of receipts, and it ended up being a fabulous piece. I also love the idea of being able to manipulate and move pieces around to try different chronologies, so writing in bits rather than at once may work well too. But in keeping with the routine, hold yourself accountable by trying to him a minimum of scraps per day.
 
  1. Mix it up. A writing routine or schedule may be essential, but it doesn’t have to be stagnant. Your life will change. Your job, the seasons, your family. Be flexible and kind to yourself and remember that as long as you’re writing in some form, you are in fact a writer.
 
For more writing routines, check out The Daily Routines of 12 Famous Writers and happy writing!
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    A mother, teacher, and writer who enjoys all good stories and believes in the magic we can make every day by telling them.

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